1 00:00:00,490 --> 00:00:02,510 The Great Departure 2 00:00:40,520 --> 00:00:42,360 Director of photography Jean-Jacques Flory. 3 00:00:45,900 --> 00:00:48,380 Assistant operator Ortrud Roch. 4 00:00:53,380 --> 00:00:55,120 Sound engineer Jean-Pierre Rue. 5 00:00:56,880 --> 00:00:58,320 Script Jeanne Nevra. 6 00:01:00,180 --> 00:01:02,220 Technical advisor Jean -Louis Bertuccelli. 7 00:01:04,940 --> 00:01:06,760 First assistant Bernard Cohn. 8 00:01:07,240 --> 00:01:08,520 Second assistant... 9 00:01:08,830 --> 00:01:09,830 Christine Lipinska. 10 00:01:14,330 --> 00:01:16,170 Manager Jean-Claude Valézy. 11 00:01:20,190 --> 00:01:22,770 Editing Monique Giraudy and Martine Calphon. 12 00:01:29,190 --> 00:01:36,010 By music, we must understand a new manifestation of 13 00:01:36,010 --> 00:01:38,370 gong, the invisible opera of Tibet. 14 00:01:46,270 --> 00:01:52,990 Along the way you will recognize Anne Wierdemski, Lucien Lamont, 15 00:01:53,170 --> 00:01:55,250 et Sterling Hayden. 16 00:01:57,790 --> 00:02:03,850 Le grand départ, c 'est enfin, dans une production Sunshine, une fable de 17 00:02:03,850 --> 00:02:04,850 Martien Rey. 18 00:02:19,660 --> 00:02:24,200 We begin our column, Information without Borders, with an exclusive interview of 19 00:02:24,200 --> 00:02:25,380 President Charles El -Rachid. 20 00:02:40,340 --> 00:02:46,320 The head of state has also declared that he nationalized good will and rallied 21 00:02:46,320 --> 00:02:47,320 the camp of socialism. 22 00:02:48,330 --> 00:02:51,410 On the social front, optimism seems to prevail this week. 23 00:03:34,280 --> 00:03:39,220 You will now see, thanks to the kindness of the School Broadcasting Service, a 24 00:03:39,220 --> 00:03:44,500 report particularly dedicated to the Portoceano Film Festival. Carla Mambo. 25 00:03:44,500 --> 00:03:46,880 viewers may notice what I would call, without emphasis, 26 00:03:59,359 --> 00:04:01,840 Juanita, give me your mouth. 27 00:04:03,580 --> 00:04:05,980 Juanita, give me your butt. 28 00:04:09,020 --> 00:04:11,480 Juanita, give me your legs. 29 00:04:17,599 --> 00:04:18,599 It's beautiful, isn't it? 30 00:04:19,440 --> 00:04:20,660 For the second time in Japan. 31 00:04:22,880 --> 00:04:23,880 Fantastic. 32 00:04:56,940 --> 00:04:59,740 I don't remember. 33 00:05:00,300 --> 00:05:03,620 I can't tell you. 34 00:05:15,550 --> 00:05:19,730 But it was like a glamorous trip, you know. 35 00:05:20,050 --> 00:05:21,910 Anyway, it was so fantastic. 36 00:05:44,410 --> 00:05:46,070 on the edge of a nearby ship. 37 00:05:47,190 --> 00:05:48,810 That's all I have to say. 38 00:05:49,130 --> 00:05:50,750 That's all I have to say about this. 39 00:05:52,390 --> 00:05:54,530 I think it's not bad, this little one. 40 00:06:00,450 --> 00:06:02,850 And then, 41 00:06:06,010 --> 00:06:07,270 the Italian part. 42 00:06:11,940 --> 00:06:12,940 Here, 43 00:06:13,540 --> 00:06:15,320 we grow roses of love. 44 00:06:15,840 --> 00:06:17,180 The violet of the invited. 45 00:06:17,820 --> 00:06:19,280 The violet of the invited. The violet of the invited. 46 00:06:19,880 --> 00:06:21,240 The violet of the invited. The violet of the invited. 47 00:06:21,500 --> 00:06:22,500 The violet of the invited. The violet of the invited. 48 00:06:22,660 --> 00:06:23,660 The violet of the invited. 49 00:06:40,310 --> 00:06:41,310 Mr. 50 00:06:43,030 --> 00:06:44,910 Minister, I'd like to ask you a few questions. 51 00:06:48,830 --> 00:06:53,770 What are you going to play for us? 52 00:06:54,290 --> 00:06:59,570 I'm going to play the Vol de Bourdon de Ruth Rimsky -Korsakov. 53 00:07:24,860 --> 00:07:26,120 There's no such thing as saying you have to do it. 54 00:07:27,120 --> 00:07:28,560 Okay, it's to have my rights. 55 00:07:29,380 --> 00:07:30,680 He's still strong, that guy. 56 00:07:36,680 --> 00:07:38,360 Yes, but at least he's a handsome boy. 57 00:07:39,180 --> 00:07:42,360 And then, I read that he had had some misfortunes, this man. 58 00:08:09,040 --> 00:08:10,040 Very well in that 59 00:08:25,740 --> 00:08:26,740 It can't be anything else. 60 00:08:30,160 --> 00:08:30,919 Damn it! 61 00:08:30,920 --> 00:08:31,920 Go to hell! 62 00:08:58,350 --> 00:08:59,350 Yeah. 63 00:11:16,700 --> 00:11:17,700 Isn't it hot? 64 00:11:18,100 --> 00:11:19,100 Isn't it hot? 65 00:13:44,170 --> 00:13:48,050 Thank you. Thank you. Thank you. 66 00:15:06,700 --> 00:15:08,140 You'll see, she's a priestess. 67 00:15:08,820 --> 00:15:12,180 I'll send her away. It's finished now. Have a beautiful... Look. 68 00:15:13,160 --> 00:15:15,800 Come with me, you'll see. 69 00:15:16,120 --> 00:15:17,140 I'll take you to paradise. 70 00:15:17,400 --> 00:15:20,840 Paradise? There, it's full of animals. Full of animals. 71 00:15:21,180 --> 00:15:22,480 Like that, the new car. 72 00:15:22,740 --> 00:15:25,560 Full of animals. The paradise, full of animals. 73 00:15:26,360 --> 00:15:27,940 It's like this car, the paradise. 74 00:15:28,280 --> 00:15:29,340 Full of animals. 75 00:15:31,360 --> 00:15:33,400 Ah, the Mona Lisa, you know. 76 00:15:33,680 --> 00:15:34,900 It's not fun to live with. 77 00:15:53,830 --> 00:15:55,110 Pussy, 78 00:15:57,990 --> 00:15:59,830 pussy, pussy, pussy. 79 00:16:10,530 --> 00:16:11,570 That's why you're innocent. 80 00:16:12,710 --> 00:16:18,310 You know, Karim, I'm alone in the world. There's only you as a friend for me. 81 00:16:18,490 --> 00:16:19,189 Only me? 82 00:16:19,190 --> 00:16:20,190 As a friend? 83 00:16:21,690 --> 00:16:24,170 Cats have no friends, my little one. It's impossible. 84 00:16:24,690 --> 00:16:25,690 You're really innocent. 85 00:16:26,510 --> 00:16:28,070 Cats have no friends. 86 00:16:28,390 --> 00:16:29,390 I can scratch you. 87 00:16:30,110 --> 00:16:31,390 I can scratch you. 88 00:16:32,430 --> 00:16:34,470 I can scratch you. I can scratch you. 89 00:16:34,990 --> 00:16:36,910 I can become kind again. 90 00:16:37,690 --> 00:16:38,690 You see? 91 00:16:38,710 --> 00:16:39,950 Come here. You don't like me anymore? 92 00:16:49,640 --> 00:16:51,380 Go, go, go get some sun. 93 00:16:51,680 --> 00:16:52,680 Very good. 94 00:16:53,080 --> 00:16:55,660 It's not a car, it's a boat. 95 00:16:58,100 --> 00:17:00,180 When we're in paradise, I'll wake you up. 96 00:17:03,040 --> 00:17:04,099 What is your song? 97 00:19:03,880 --> 00:19:06,360 Mais non, mais je te dis, reste avec moi. 98 00:19:06,700 --> 00:19:09,040 Mais non, regarde, reste avec moi. 99 00:19:09,580 --> 00:19:12,820 Mais reste avec moi, je le connais, Monsieur Nature, il a le temps. 100 00:19:13,040 --> 00:19:14,700 La petite, il faut qu 'il aille dans la petite. 101 00:19:14,920 --> 00:19:16,400 Écoute, on ne peut pas la laisser comme ça. 102 00:19:16,640 --> 00:19:18,900 Mais non, mais non, reviens. 103 00:20:00,490 --> 00:20:01,870 We're going to change 104 00:20:01,870 --> 00:20:15,890 the 105 00:20:15,890 --> 00:20:29,990 world. 106 00:20:30,440 --> 00:20:34,080 Yes. Yes. We're going to change that. 107 00:20:36,560 --> 00:20:39,760 We're going to 108 00:20:39,760 --> 00:20:46,340 change 109 00:20:46,340 --> 00:20:59,340 that. 110 00:21:13,530 --> 00:21:15,070 We are all brothers. 111 00:21:18,090 --> 00:21:20,030 I say we are all brothers. 112 00:21:22,970 --> 00:21:24,730 You know the way the world is going? 113 00:21:26,800 --> 00:21:29,440 You know the world's way just as you know our way. 114 00:21:31,680 --> 00:21:33,280 We have always known each other. 115 00:21:34,220 --> 00:21:35,460 We have always shared. 116 00:21:37,060 --> 00:21:38,640 Since the beginning we have shared. 117 00:21:39,220 --> 00:21:45,440 Even those of you who have just met me realize that I have been with you 118 00:21:45,440 --> 00:21:50,200 since the beginning in the deepest part of your soul and of your spirit. 119 00:21:53,120 --> 00:21:55,480 This morning the Lord has spoken to me. 120 00:21:57,420 --> 00:21:58,480 I got the connection. 121 00:22:00,500 --> 00:22:02,360 But the hour of danger has come. 122 00:22:03,960 --> 00:22:06,020 The hour of crisis is upon us. 123 00:22:07,660 --> 00:22:12,600 And while we resolutely declare our intention to resume relationships 124 00:22:12,600 --> 00:22:16,280 our two worlds, nevertheless, the time has come. 125 00:22:16,960 --> 00:22:19,560 Now, my brothers and my sisters, listen to me. 126 00:22:20,920 --> 00:22:25,460 I wish to tell you that on the advice of the Almighty, I have decided upon the 127 00:22:25,460 --> 00:22:26,460 grand departure. 128 00:22:28,400 --> 00:22:34,500 I can tell you that the time has come to make the ultimate voyage. 129 00:22:35,020 --> 00:22:41,820 The ultimate voyage that some... Because you must believe, you must 130 00:22:41,820 --> 00:22:47,200 know that all the heroes of humanity, they have not changed this earth one 131 00:22:47,440 --> 00:22:52,640 Not one bit, but we intend to change it. We will change it. 132 00:22:53,360 --> 00:22:55,920 And it is time now to leave this in -between life. 133 00:22:56,860 --> 00:23:03,220 And move, we hope, we pray, toward a land of peace and tranquility and love 134 00:23:03,220 --> 00:23:04,480 beauty. Shall we go? 135 00:23:04,800 --> 00:23:05,800 Yes! 136 00:23:06,180 --> 00:23:08,160 When do we leave? Now! 137 00:23:09,300 --> 00:23:10,300 Please, 138 00:23:14,140 --> 00:23:15,160 please, be seated. 139 00:23:18,200 --> 00:23:24,500 So now it is understood, is it not, that with our grand departure, 140 00:23:25,960 --> 00:23:29,860 We are going to put an end to this in -between life, an end once and for all. 141 00:23:31,140 --> 00:23:37,220 And with the ultimate voyage, hopefully find our way toward a land of peace 142 00:23:37,220 --> 00:23:42,420 and of honey and of tranquility. 143 00:23:56,780 --> 00:23:57,780 The Eternal. 144 00:23:58,120 --> 00:24:00,080 What? Who is the Eternal? 145 00:24:02,260 --> 00:24:03,620 Who is the Eternal? 146 00:24:05,660 --> 00:24:07,380 Oh, my God. 147 00:24:08,700 --> 00:24:10,280 Perhaps the Eternal is here. 148 00:24:11,000 --> 00:24:12,220 Perhaps it isn't you. 149 00:24:28,830 --> 00:24:30,370 Hurry up, take all the equipment. 150 00:24:30,830 --> 00:24:32,010 The minister is in the press. 151 00:28:04,520 --> 00:28:06,860 My poor child, I can't believe you're here. You must be happy. 152 00:28:39,560 --> 00:28:40,560 Give me Barbara. 153 00:28:52,880 --> 00:28:53,880 Hello? 154 00:28:56,840 --> 00:28:57,840 Barbara? 155 00:28:59,400 --> 00:29:00,880 Ah, Barbara. 156 00:29:02,940 --> 00:29:05,040 Yes, you have to talk to Carlo. 157 00:29:05,600 --> 00:29:07,220 You have to bring the Swedish here. 158 00:29:19,280 --> 00:29:22,900 Yes, because you know, it's the big departure. 159 00:29:23,760 --> 00:29:24,880 Everyone's leaving, it's over. 160 00:29:25,700 --> 00:29:26,940 Everyone's leaving, yes, yes, yes. 161 00:29:28,700 --> 00:29:29,940 The big departure, I say. 162 00:29:44,179 --> 00:29:46,100 Mr. Nature. 163 00:30:38,830 --> 00:30:41,150 We can rest. We have just a few hours, you know. 164 00:30:58,150 --> 00:31:02,110 You have spoken to them. 165 00:31:03,490 --> 00:31:04,490 Yes. 166 00:31:04,650 --> 00:31:05,810 Yes, I had to, you know. 167 00:31:06,990 --> 00:31:13,950 You could speak with him to stop 168 00:31:13,950 --> 00:31:14,950 it again. 169 00:31:16,770 --> 00:31:21,590 No, he is as crazy as I am, you know. 170 00:31:23,770 --> 00:31:24,770 It's too late. 171 00:31:27,950 --> 00:31:28,950 Absolutely. 172 00:31:35,080 --> 00:31:37,040 We will not die so soon. 173 00:31:37,460 --> 00:31:38,460 So soon? 174 00:31:39,100 --> 00:31:45,980 So soon, so soon. Why don't you think and realize that the only thing 175 00:31:45,980 --> 00:31:50,520 that we have in common, or that they have in common, is death. 176 00:31:51,400 --> 00:31:53,400 We have a rendezvous with death. 177 00:31:53,640 --> 00:31:59,200 No. I don't want to think for a minute about the fantasy, the phantasm of your 178 00:31:59,200 --> 00:32:00,200 imagination. 179 00:32:00,800 --> 00:32:01,800 Don't worry. 180 00:32:02,260 --> 00:32:03,260 I don't want to. 181 00:32:04,430 --> 00:32:05,670 Je veux vivre, moi. 182 00:32:05,990 --> 00:32:07,390 I want to live. 183 00:32:07,630 --> 00:32:09,690 To live, yes, we all want to live. 184 00:32:09,890 --> 00:32:11,150 One day it is too late. 185 00:32:12,110 --> 00:32:13,350 And that day is today. 186 00:32:13,890 --> 00:32:15,850 Et si je refuse de suivre, moi? 187 00:32:17,710 --> 00:32:19,710 If I don't want to follow you. 188 00:32:22,550 --> 00:32:24,150 Si je veux rester dans ma tête. 189 00:32:25,490 --> 00:32:29,170 Si je voulais pour une fois garder ma tête pour moi. 190 00:32:30,410 --> 00:32:33,430 If I wanted once to keep my head for myself. 191 00:32:34,890 --> 00:32:35,970 On termine, sir. 192 00:32:36,770 --> 00:32:37,770 Comprend? 193 00:32:38,310 --> 00:32:39,530 We will stop there. 194 00:32:40,950 --> 00:32:45,030 I wish to have time to make you happy. 195 00:32:45,650 --> 00:32:46,650 Yes. 196 00:32:47,230 --> 00:32:48,430 You must trust me. 197 00:32:48,930 --> 00:32:49,930 Trust you. 198 00:32:51,130 --> 00:32:52,130 Jealous. 199 00:32:52,570 --> 00:32:54,050 Toi, tu as confiance en moi? 200 00:32:54,910 --> 00:32:57,070 What about your confidence with me? 201 00:32:57,630 --> 00:32:59,130 What about your jealousy? 202 00:32:59,770 --> 00:33:01,070 That is another story. 203 00:33:01,430 --> 00:33:02,430 Mais j 'ai pas d 'histoire. 204 00:33:25,040 --> 00:33:28,560 Tranquility. Ah, tranquility. 205 00:33:33,260 --> 00:33:37,160 You must leave. You must leave this world to find tranquility. If only it 206 00:33:37,160 --> 00:33:38,160 simple. 207 00:33:38,760 --> 00:33:39,760 Don't you see? 208 00:33:40,740 --> 00:33:43,240 You must leave this world to find tranquility. 209 00:33:50,260 --> 00:33:51,260 Talk, 210 00:33:52,640 --> 00:33:53,640 talk, talk. 211 00:33:54,520 --> 00:33:55,520 Talk means nothing. 212 00:33:57,920 --> 00:33:58,920 We must leave. 213 00:33:59,200 --> 00:34:00,200 Really, we must leave. 214 00:34:07,659 --> 00:34:11,800 This cat brings death. 215 00:34:35,239 --> 00:34:36,239 This man. 216 00:34:37,560 --> 00:34:38,860 This one is my brother. 217 00:34:40,739 --> 00:34:42,940 Yes, I'm with you. You gave me a blue line. 218 00:34:45,900 --> 00:34:48,080 It's so good to be in the sea. 219 00:34:54,480 --> 00:34:55,719 Carl, you know we're in danger. 220 00:34:56,000 --> 00:34:57,300 How? We're tired. 221 00:34:57,600 --> 00:34:58,600 We have to hide. 222 00:34:59,700 --> 00:35:00,700 Torta, see you. 223 00:35:57,290 --> 00:35:58,290 We got it. 224 00:36:59,260 --> 00:37:00,260 in such a pretty place. 225 00:39:30,220 --> 00:39:31,620 Thank you. 226 00:40:30,990 --> 00:40:31,990 You know each other? 227 00:40:32,830 --> 00:40:33,830 You're Mona Lisa? 228 00:40:34,090 --> 00:40:35,090 And you're going to get married? 229 00:40:36,690 --> 00:40:38,110 Yes, my life has changed a lot. 230 00:40:39,230 --> 00:40:41,850 I've chosen, with wisdom, a simple existence, without passion. 231 00:41:41,320 --> 00:41:42,320 Thank you. Thank you. 232 00:44:39,810 --> 00:44:40,810 Let's go. 233 00:47:51,029 --> 00:47:57,930 I would like that you should listen to me, please. 234 00:47:58,250 --> 00:47:59,510 Listen, all of you, listen. 235 00:48:01,270 --> 00:48:04,330 And pay attention because my mouth proclaims the truth. 236 00:48:27,080 --> 00:48:32,720 Sanity of men who build anew on the old. 237 00:48:34,580 --> 00:48:36,120 Can you see that at all? 238 00:48:38,620 --> 00:48:39,620 Really? 239 00:48:40,600 --> 00:48:41,960 You see, I was here. 240 00:48:42,680 --> 00:48:47,360 I was here when the Lord traced a circle on the surface of the abyss. 241 00:48:49,620 --> 00:48:51,660 I was here when he made a limit to the seas. 242 00:48:53,300 --> 00:48:56,890 I was here when he placed the cloud. it's up in the sky. 243 00:48:57,210 --> 00:48:58,210 I was. 244 00:49:00,090 --> 00:49:02,790 And do you know, do you know, innocence, what folly is? 245 00:49:04,010 --> 00:49:08,950 Folly? Folly is a brutal woman, stupid and knowing nothing. 246 00:49:09,690 --> 00:49:15,050 She sits in her chair on the threshold of the highest house in the highest part 247 00:49:15,050 --> 00:49:16,050 of the city. 248 00:50:06,980 --> 00:50:08,240 Ah, you see. 249 00:50:09,860 --> 00:50:11,980 You see, they come by thousands now. 250 00:50:13,770 --> 00:50:14,970 Always it is too late, eh? 251 00:50:16,550 --> 00:50:18,030 Always they waited until it was too late. 252 00:50:19,390 --> 00:50:20,710 Ministers of state, eh? 253 00:50:21,150 --> 00:50:22,150 Heads of corporations. 254 00:51:24,810 --> 00:51:26,330 ...55 seconds on time. 255 00:51:30,950 --> 00:51:32,630 ...50 seconds left. 256 00:51:58,250 --> 00:51:59,250 Thank you. 257 00:55:04,170 --> 00:55:06,330 Thank you. 258 00:55:49,800 --> 00:55:50,800 Thank you. 259 00:59:16,500 --> 00:59:19,100 Now that good night is sleeping. 260 00:59:19,680 --> 00:59:23,380 Sleeping. It is sleeping in the air now. 261 00:59:24,260 --> 00:59:25,680 Afraid of smoking. 262 01:03:18,419 --> 01:03:21,220 Thank you. 263 01:03:32,860 --> 01:03:33,860 Thank you. 264 01:06:08,640 --> 01:06:10,560 Now it is understood, is it not? 265 01:06:11,420 --> 01:06:16,060 The time has come to put an end to this, to this intermediate way of life, this 266 01:06:16,060 --> 01:06:17,060 in -between living. 267 01:06:18,040 --> 01:06:21,600 Begin the great departure, the grand depart, the voyage. 268 01:06:22,800 --> 01:06:29,600 or to land of peace and of honey and of 269 01:06:29,600 --> 01:06:32,320 tranquility and brotherhood. 270 01:06:57,900 --> 01:06:58,900 Thank you. 271 01:10:34,480 --> 01:10:38,180 Et quand il n 'y a plus de lune, je prends ma flûte et marche vers les dunes 272 01:10:38,180 --> 01:10:39,180 désert.